Standing Around Naked
Smithy Takes
To the Window
I walk to the window and open the curtains. I stand in front of the glass as I take off my shirt. The neighbors stop. They stare. My breath fogs the window in front of my face, blurring the outside world. I jauntily wave to my neighbors while I yank off my pants.
It's not a sexy act. It's matter-of-fact. I am removing every article of clothing while a crowd gathers outside my window to gawk.
This is what it's like to write in public. To write is to be naked.
Writing isn't just the telling of a story. It's an exposure to your very core. When you write, you translate your most complex thoughts into simple, black-and-white words for the world to read and judge. Where was Stephen King's mind when he wrote It? What did his mother think? His neighbors? Were they creeped out whenever he entered the room?
When Orwell wrote 1984, did his friends chuckle that he was a little too paranoid? Did they whisper about him when he walked away?
I say— let them laugh. Let everyone who passes by the exhibitionist at the window point and say, "God, she looks fat."
At least they're looking.
Whether they are good, bad, or mediocre, writers have an incredible gift. They have, at their fingertips, the ability to create entire worlds built upon the thoughts and ideals that they hold most sacred. They can act out their passions, rage against the unjust, ride on horseback against untold numbers of enemies, and return home unscathed.
Some say that fiction doesn't reflect the author— that characters can behave any way they choose and their actions have nothing to do with the person who created them.
But it's impossible to make any character speak words that didn't come from the recesses of your own brain. Whether those words were pulled from a memory or a thought, they are part of you. And you stuck them out there without regard for anyone's feelings.
You stood. Naked.
Your mind was just as exposed as your body ever could be.
With this in mind, some friends and I created StandingAroundNaked.com, a site specifically for writers.
There, you can point, laugh, and jeer at the writers who bravely expose themselves. Or, if you're a writer, you can find a window and stand at it. You can close your eyes if you like, or wear a blindfold that shields you from the neighbors’ stares.
For the next few weeks, the site will be under construction, but we'll be taking submissions. If you submit early, you'll be the first posted and the first to be stared at. It's a terrifying thrill.
One story is already up. It's called "Eleven" and it's my nakedness. I'm tired of closeting myself away and filling journals with work no one will read. I'm ready. I'm at the window.
See you there.
To the Window
I walk to the window and open the curtains. I stand in front of the glass as I take off my shirt. The neighbors stop. They stare. My breath fogs the window in front of my face, blurring the outside world. I jauntily wave to my neighbors while I yank off my pants.
It's not a sexy act. It's matter-of-fact. I am removing every article of clothing while a crowd gathers outside my window to gawk.
This is what it's like to write in public. To write is to be naked.
Writing isn't just the telling of a story. It's an exposure to your very core. When you write, you translate your most complex thoughts into simple, black-and-white words for the world to read and judge. Where was Stephen King's mind when he wrote It? What did his mother think? His neighbors? Were they creeped out whenever he entered the room?
When Orwell wrote 1984, did his friends chuckle that he was a little too paranoid? Did they whisper about him when he walked away?
I say— let them laugh. Let everyone who passes by the exhibitionist at the window point and say, "God, she looks fat."
At least they're looking.
Whether they are good, bad, or mediocre, writers have an incredible gift. They have, at their fingertips, the ability to create entire worlds built upon the thoughts and ideals that they hold most sacred. They can act out their passions, rage against the unjust, ride on horseback against untold numbers of enemies, and return home unscathed.
Some say that fiction doesn't reflect the author— that characters can behave any way they choose and their actions have nothing to do with the person who created them.
But it's impossible to make any character speak words that didn't come from the recesses of your own brain. Whether those words were pulled from a memory or a thought, they are part of you. And you stuck them out there without regard for anyone's feelings.
You stood. Naked.
Your mind was just as exposed as your body ever could be.
With this in mind, some friends and I created StandingAroundNaked.com, a site specifically for writers.
There, you can point, laugh, and jeer at the writers who bravely expose themselves. Or, if you're a writer, you can find a window and stand at it. You can close your eyes if you like, or wear a blindfold that shields you from the neighbors’ stares.
For the next few weeks, the site will be under construction, but we'll be taking submissions. If you submit early, you'll be the first posted and the first to be stared at. It's a terrifying thrill.
One story is already up. It's called "Eleven" and it's my nakedness. I'm tired of closeting myself away and filling journals with work no one will read. I'm ready. I'm at the window.
See you there.
Labels: Smithy
5 Comments:
i tend to think this is a universal, cross-genre thing. whether you're writing fiction or biography or an essay on the moral merits of blues clues, you're still sticking yourself out there in format where it can be very easily misconstrued and exploited and in which you can't be at the ready with an immediate comeback when it is. that's the scariness. in writing well, we must be concise, and in being concise you can't say the same thing ten times to ensure that it's coming across exactly as you intend. (which i'm clearly struggling with at this very moment. how meta!)
Welcome to JBB, Smithy! Glad to have your lovely body of prose up here for the world to see. Jables approves of nakedness. Despite our writerlyness, however, Ohlign and I refuse to participate in Naked Fridays. Our window faces a construction site.
I don't think I should take cold medication any more.
ooh. croftie. you're being sassy. bet you're making your sassbrows. however are we going to convince jackie boss that topless tuesday isn't the way to go?
its a dangerous thing, being 'out there.' its a place where people can and will misconstrue. but also a place where they will heap love and admiration.
Case and point: I read a fairly well-known comic which features a cast of characters from all different walks of life, stranded in a world where the dead have risen to feast on the brains of the living. An awful, frightful place. But the author has always played things 'straight.' Behavior and actions remain logical, dire, and poignant. Thought provoking.
However, in a recent issue a character, a black woman, was abducted and violently raped. Afterward the writer was inundated by a firestorm of outrage. he was called a racist, a sexist, and many other things too outrageous and horrible for print. Just how accountable *is* the author here?
Sure the readers are forgetting all of the terrible and despicable things happening *indiscriminately to everyone else, but certain areas remain charged. Race relations is one of them. Is this author, this man a racist and sexist? of course not. But it certainly took some guts putting this sort of thing 'out there.'
I believe (as a former brilliant, albeit repetetive professor of mine once said) that in writing as in all arts, feeling is always meaning. If you are charging a person up with 'feeling,' you can be sure that what you have wrote is meaningful. Just what it might 'mean' is another thing altogether, and perhaps I've rambled on long enough.
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